The exhibition Patterns of Transition presents two works by Verónica Losantos and Jewgeni Roppel.

Verónica Losantos, originally from Spain, has been living in Germany for 17 years. Being caught between two countries and cultures, she never feels fully at home in either—an experience shared by many long-term migrants. She is often called "Victoria," a name that has developed into her "German alter ego" for this project. Through photography, archival materials, texts, and psychogeographic approaches, she brings this alter ego to life as her German, constructed persona. In doing so, she explores the complexities of migrant identity, the development of selfhood, and the role of spatial and cultural experiences in shaping belonging.

In the long-term project ATEMETA, Jewgeni Roppel explores the interface between digital and physical reality. The project is an image-finding process that locates the aesthetics of digital media technologies, artificial intelligence, and scientific principles in an expanded context. Inspired by nature, physics, cosmology, and advancing digitization, Roppel uses experimental, documentary, and AI-generated photography to create associative visual spaces in which new levels of meaning emerge.